FLOATING WORLDS
Max Pinckers & Daisuke Yokota
Published by Lyre Press & RORHOF, 2016
IBAN: BE18 7350 3512 1765 / BIC: KREDBEBB
Two interwoven books, softcovers, 44 pages each, 160 x 240 mm
Edition of 1000
ISBN 9789082465549
Printed by Longo, Italy
LYRE 3
Curated and designed by Nicolò Degiorgis
Edited by foto-forum
Text by Colin Pantall, Yokota’s and Pinckers’ Floating Worlds, 2016
€35 excluding shipping costs
Bank transfer: De Bedoeling vzwIBAN: BE18 7350 3512 1765 / BIC: KREDBEBB
Published on the occasion of the exhibition Max Pinckers & Daisuke Yokota at Foto-Forum Gallery, Bozen/Bolzano, Italy, May 2016.
Yokota’s and Pinckers’ Floating Worlds is a catalogue for an exhibition curated by Nicolò Degiorgis at fotoforum Gallery, Bolzano/Bozen, Italy, in May 2016. The exhibition brings together Yokota’s Linger and Pinckers’ Two Kinds of Memory and Memory Itself, and is translated into a book by showing a selection of installation views. It is printed in two separate, but interwoven parts, held together by pages folded alternately into each other (presented in wrapping paper with a red handprinted linocut title block). The concept for the exhibition was based on giving both artists the same amount and type of paper for their prints and an equal amount of wood for their respective exhibition structures. The photographs of each artist were printed on opposite fibre directions, allowing the presentation of the images to be determined by the curling of the prints. Max Pinckers’ work was mounted vertically, while Daisuke Yokota’s prints were suspended horizontally. No nails or adhesives were used in the exhibition.
Yokota’s and Pinckers’ Floating Worlds is a catalogue for an exhibition curated by Nicolò Degiorgis at fotoforum Gallery, Bolzano/Bozen, Italy, in May 2016. The exhibition brings together Yokota’s Linger and Pinckers’ Two Kinds of Memory and Memory Itself, and is translated into a book by showing a selection of installation views. It is printed in two separate, but interwoven parts, held together by pages folded alternately into each other (presented in wrapping paper with a red handprinted linocut title block). The concept for the exhibition was based on giving both artists the same amount and type of paper for their prints and an equal amount of wood for their respective exhibition structures. The photographs of each artist were printed on opposite fibre directions, allowing the presentation of the images to be determined by the curling of the prints. Max Pinckers’ work was mounted vertically, while Daisuke Yokota’s prints were suspended horizontally. No nails or adhesives were used in the exhibition.